In this episode, the Director's Club encounters environments from the dephts of the ocean up to the stars as we explore the work of screenwriter, filmmaker, and Riddick Chronicler David Twohy! Helping immensely in our quest is Paul Freitag-Fey, a writer for Daily Grindhouse who showcases underseen films in Chicago at the Comfort Station and streaming hidden gems at http://watchthisthing.net. With him joining in on the journey, we not only point out how Twohy puts inspired twists on genre conventions and has running themes about identity and shifting responsibilities and perspective, but bring up a wealth of other fascinating under-recognized films to check out!
For its 150th episode, the Director's Club takes a Monumental trek through the latter films of John Ford. With the help of Peter Richards from the Chicago Film Discussion Group, we see how through films like his 'Cavalry Trilogy', "The Sun Shines Bright", "The Searchers" and up to "Cheyenne Autumn", Ford's evolving attitudes about race, the West, and the conflict between individuals and community, between truth, sentiment, and myth, found expression in iconic performances, increasingly thoughtful stories, and in the very landscape of Monument Valley itself!
The Directors Club tries to live up to the first part of its name, as in this episode we take a look at two separate directors at once: English filmmaking brothers Martin ("In Bruges") and John Michael ("Calvary") McDonagh. While they haven't officially worked on a film together, there are some fascinating connections of dark humor, empathy, faith, and a desire to subvert expectations that can be found when looking through their films together, from "Second Death" through the award-winning "Three Billboards Outside Ebbing, Missouri"
Jim here again, sneaking in with a short bonus episode cross-posted with V+V. One of the greatest joys to experience in the fine city of Chicago is sitting down to watch a screening of a classic film at The Music Box Theatre. It has been my favorite movie theater for quite some time and when the opportunity came to talk to the general manager of this theater, I could not have been more thrilled. Ryan Oestreich has a long history with the film industry, particularly film festival programming and theater management. He is now able to combine both of his passions alongside Josh Goldbloom, to put together a film festival that I can't wait to cover this summer: The Cinepocalypse!
Focusing this time on the second half of his career, we take a look at his biggest box office success, his iconic lone samurai warrior Sanjuro, the multiple great performances he got from Toshiro Mifune and Tatsuya Nakadai, and his influences on a galaxy far far away. We'll check out the ways his later films astound on multiple levels, how he fell out of favor in the movie business and what led to one of the greatest late-career resurgences in movie history!
Jim and Patrick return for a special episode! First up, we catch you all up on how things have been for the two of us, then we review two movies that we assigned to one another. Patrick assigned MANJI for me and I assigned one of my all-time favorites, TAKE SHELTER. After that, Score Bits begins after a brief intermission and that is definitely a highlight for the both of us. We challenge our sense memory, musical knowledge, and more with this wild take on "Name That Tune" revised as "Name That Movie!" As a birthday present for one of the main reasons for the inception of this podcast, please give it a listen and enjoy the rambling digressions you came to know and love back in the day. Brad and Al will return in a week or so with a traditional episode of course!
Jim here. Former co-host of this here show. More is explained in the intro(s) but I decided to offer up a special bonus treat here for both Director's Club + Voices and Visions alike. I had the pleasure of seeing a very good new film called AND THEN I GO, directed by my first guest Vincent Grashaw. We had a great talk about the inspiration behind the film and his process. Then, I was absolutely honored and thrilled to talk to one of my all-time favorite actresses, Melanie Lynskey (HEAVENLY CREATURES, SHATTERED GLASS, THE INFORMANT!). It was a short but sweet interview with a lot of great insights about being an actress, as well as singing the praises of her incredible career.
We are pleased to welcome back Chicago Film Discussion Group Organizer Peter Richards as we look at the comic and kinetic career of the U.K.’s own Edgar Wright. Best known for his trilogy of genre parodies with Simon Pegg and Nick Frost, he’d also bring some wild innovations to his American offerings, Scott Pilgrim vs. the World and Baby Driver. We’ll discuss them all and decide which ones are worth missing a night at the pub for.
In this episode, the Director's Club takes a trek to Hungary to check out the films of Béla Tarr, whose long shots without cutting, luscious imagery of darkness, deliberate yet poetic camera movements, and stark perspectives of man and nature has sculpted out some of the most unforgettable moments in film. In addition to trying to describe what makes his films so special, we look at how he developed his style over decades (and with the help of several talented collaborators), and we explore the world of "contemplative cinema" of which Tarr's work is a prominent example.
Director's Club delves into the Green Valleys, Stagecoaches, and Long Voyages shown in the works of the legendary director John Ford. With the help of fellow Chicago Film Discussion Group member Peter Richards (who guested on our Terence Malick episode), in Part I of our series we not only look into his classic early films, but lesser-known yet no less fascinating efforts which include silent epics, minimalist treks through the desert, dark foggy nights of the Irish soul, and even comedies starring Will Rogers, and how Ford's genius with a film image and concerns of family, history, and myth flow through them.
It's an action-packed episode of the Director's Club as we look at the works of Andrew Davis. Most well-known as director of "The Fugitive", one of the greatest action movies ever made, we explore his ability to enhance a wide range of films (from those of Samuel Z. Arkoff and Chuck Norris to even Alfred Hitchcock) and how he infuses them with great energy, character and Chicago flavor from his very first movie!
Welcome to the exciting conclusion! The Director's Club / Voices & Visions crossover continues once again! Last year around this time, it was so warm outside, we opened the windows. This time, it was cold & snowy (hence the sound of the heater throughout). But have no fear! Your loyal Chicago film critics are here to carry on the tradition of going back 30 years to cover a year in film that they all grew up with. This episode features a lot of films released from July - December of 1988!
Last year around this time, it was so warm outside, we opened the windows. This time, it was cold & snowy (hence the sound of the heater throughout). This special 2-part bonus episode will continue every February, every year. For 2018 of course, we travel back to 1988 and relive the entire year. Just about every weekend of releases are mentioned from classics like WHO FRAMED ROGER RABBIT to obscure discoveries like BAGDAD CAFE. How much will Jim & Erik argue the merits of certain horror movie sequels? Does either David Byrne or Bono come up courtesy of superfan Collin? You'll have to listen to the 4 and a half hours of conversation to find out.
The Director's Club gives a look at Rob Reiner, who has one of the most two-sided careers in filmmaking history. Through the first part, it was like he could do no wrong, putting great polish and attention to romantic comedies, coming-of-age stories, tongue-in-cheek takes on fantasy, and inventing the mockumentary. In the second half, it was like he was trying to make up for the first half (when Roger Ebert makes his negative review the title of one of his books, you know you're doing something anti-right!)
Part Two! The fun continues. Together again. Gee, it's good to be together again. Jim and Patrick return for their yearly tradition of running down favorites and highlights from the past twelve months. In addition, they answer some emails, read many listener contributions/lists, and discuss the future. They hand out some awards, gifts, and throw paper at one another. Surprisingly, there isn't nearly as many puns and weird voices this time but since it became a 5-hour recording, they dependably get loopy as the show goes on. It's a show so big, it had to be split into two parts. Part One is here!
Together again. Gee, it's good to be together again. Jim and Patrick return for their yearly tradition of running down favorites and highlights from the past twelve months. In addition, they answer some emails, read many listener contributions/lists, and discuss the future. They hand out some awards, gifts, and throw paper at one another. Surprisingly, there isn't nearly as many puns and weird voices this time but since it became a 5-hour recording, they dependably get loopy as the show goes on. It's a show so big, it had to be split into two parts. Part Two Is Here!
The Director's Club wanted to finish off the year right and begin the new one with a bang, so we're having our first 2018 episode on the films of epic director Akira Kurosawa. This episode looks at the first half of his career, looking in on his early works from "Sanshiro Sugata" through his run of masterpieces ("Rashomon", "Ikiru", "Seven Samurai", "Throne of Blood")
Now Playing Network Master of Ceremonies (and Director's Club founder) Jim Laczkowski joins us for this episode which has us looking at the films of French Canadian filmmaker Denis Villeneuve! With Jim's help, we look at how Villeneuve brings his unique combination of thoughtfulness, pathos, family focus, and strangeness to dramas, genre thrillers, and films across the sci-fi spectrum
Jeff Broitman joins us to talk about a legend. Whale's innovations in camera movement and special effects, set of quirky character actors in supporting roles, and appreciation of the outsiders in society was put to good use in musicals, war films, and courtroom dramas, but never better than when he was making some of the most iconic horror movies in history!
In Part II we look from his takes on Shakespeare with "Othello" and "Chimes At Midnight", through his acidic noir "Touch of Evil", to his 'deconstructumentary' film "F for Fake", and along the way talk about his many unfinished films (one of which may see the light of day yet). His work proved so inspiring we not only looked to compare them to the efforts of Jacques Tati and Alfred Hitchcock, but had to invent words to describe some characters and even hairstyles in his movies!