a podcast about film and filmmaking - one director at a time
Latest Episodes
The epic yearly retrospectives continue as we travel back 30 years to rewatch, reconsider and share favorites along with many memories too! Join me on this 6-hour plus journey alongside Chicago critics Erik Childress and Collin Souter. Many laughs, songs, clips, trailers, excerpts and so much more! Thank you so much for the support and for listening. And of course, thank you so much to Collin & Erik for spending time nerding out about a wide range of titles.
When I first saw Hiroshima Mon Amour, this particular director went on the long list of names I made sure to include. Alain Resnais is an internationally acclaimed film director, associated with both the Left Bank Group and the Nouvelle Vague. His preoccupation with the themes of time, memory and history, and his dazzling exploration of cinematographic technique, made him one of France’s most distinctive and influential filmmakers for over 60 years, inspiring the likes of David Lynch & Michel Gondry. Previous guest and film scholar Kate Blair returns to discuss his work and more!
Latest Reviews
A lot of films from 2023 can be described as being about what happens when victims and accusers both experience a “lack of closure.” Especially when the person we’re following is pursuing that in the face of truth. With no closure (or answers), nobody is right, nobody is wrong, or at the very least, one has to learn how to process the experience of never knowing what truly happened. Same goes for the audience itself in a film like The Teacher’s Lounge, one of the better films of the year that feels less a conventional narrative and more akin to a sociological examination of human behavior.
Lots of discussions about free will are inevitable, but here God is a literal figure who may or may not play a role. The film lost me completely when the power of prayer serves as the catalyst for conflict when Kevin simply calls out for help from Him. Honestly, I’m not familiar with Angel Studios potentially due to my own religious beliefs being vastly different from the ones embraced here. Those who do strongly believe in God might have a vastly different experience if they’re ok with hamfisted dialogue about Him, being tested, etc., - for me it was tiresome and forced.
Tone management is tricky in a dark satire like this, but every laugh is earned and every emotional beat works in ways all great stories hope to achieve. I guess you can take my biases to heart: I love dreams, dreaming, analyzing them and how weird and playful they can be. Dream Scenario is weird, playful, laugh-out-loud funny and surprisingly moving by the end. Truly hoping everyone else considers it to be special and supports it: we need more films like this.
Latest Archives Updates
Over at my old RSS feed for a now-defunct podcast I hosted called Voices & Visions, I would recruit friend and Austin-based journalist Dan Solomon to go back 20 years to talk about a year in music. We would curate a new list of ten favorite records from that year, playing snippets of certain songs and discussing our feelings about music in general. As of 2021, I decided to include my dear friend Jason Simpson, also a writer, to join us in this endeavor. Though V&V no longer exists, I’ve archived all of the episodes here for your listening pleasure.
I’ve had the pleasure of talking with writer/director/actor Keith Gordon (CHRISTINE, DRESSED TO KILL) a half dozen times now. First it started out talking about his directorial career (WAKING THE DEAD, A MIDNIGHT CLEAR), then we began a yearly tradition of discussing underrated films from each decade. He’s a true blue cinephile, a one of a kind talent and an all-around super cool artist that I’m grateful to have corresponded with over these past few years. Here’s to many more!
Not only is Mr. Sorkin a part of the team, but he even asked former co-host Patrick Ripoll and a couple other previous guests, to come back for the first episode under our new format. We talk about director David Lean and so much more. More to say during the introduction but thank you to all for listening and for your support. It's going to be a much better show from here on out!
Two reasons this podcast exist: Film Junk and Patrick Ripoll. So I'm always grateful when Patrick returns since he's the OG co-host of this show. He's always doing killer work with Reg on 96 Greers that I highly recommend. But I vividly recall two moments of the past decade: his love of Clouds of Sils Maria and my love for Personal Shopper. Made a mental note to put French filmmaker Olivier Assayas on the list of potential directors and the time has come to cover him.